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    To develop the ethnic groups database where systematized research data are available online and can be made use of by interested parties or individuals, following the subjects or topics of their interests, and thus making it easier for them to sum up the essential points necessary for further in-depth studies. 


    S'gaw youth at Mowakee Chaingmai

    Less savings. Much to share.

    S'gaw's proverb
    Mowakee Chaingmai

    Salak Yom Festival
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    Sea as Home of Urak Lawoi, Moken, Moklen

    Rawai beach Phuket Thailand


    Computer class of S'gaw students
    Mae La Noi , Maehongson

    Khaw Rai (Rice)
    produced from rotational farming
    Li Wo, Kanchanaburi


    S'gaw woman at Hin Lad Nai village

    Fermented Beans

    Important ingredient of Tai


    Phlong(Pwo) woman

    Li Wo village

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    Little Prince of Tai

    Ordination in Summer of Tai boys


    Boys are ordained as novice monks

     Poi Sang Long is the tradition of the Tai. 

    Be novice monk to learn Buddhism


    Tai-art  mural painting of  Buddha 
    at Wat Chong Kam Chong Klang
    Maehongson Thailand

    Wat Chong-Kam, Chong Klang

    Hmong childs at Ban Kewkarn
  •   Smile

    Smile in problems
    Urak  Lawai at Rawai Phuket
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  Princess Maha Chakri Sirindhorn Anthropology Centre
Ethnic Groups Research Database
Sorted by date | title


Subject Ritual music, Mon Spirit Dance, Bangkok, central region, Thailand
Author Chalermphon Lohamat
Title Music for the Spirit Dance of the Mon at Bang Kradi Village in Tambon Samae Dam, Bang Khun Thian District, Bangkok
Document Type Thesis Original Language of Text -
Ethnic Identity Mon, Language and Linguistic Affiliations -
Location of
Princess Maha Chakri Sirindhorn Anthropology Centre
[Full text]
Total Pages 165 Year 2008
Source Kasetsart University

The Spirit Dance ritual is performed during the appeasement ritual to the ancestral spirits. The similarity in the ritual steps between the Mon in Thailand and in the Mon State in Myanmar was hypothesized that the Mon immigrants brought the ritual to Thailand. The ritual is conducted when someone has violated social taboos or when a promise to ancestral spirits has been fulfilled. The ritual is accompanied by a Mon ensemble. This investigation focused on the music of the Boontham Ensemble. It was found that there were 24 pieces which were related to the steps of the ritual. For the study of the music properties, five pieces were selected and it was revealed that two groups of melody were used: C D E G A and G A B D E, with the former being used most frequently. The two groups of melody were used in Abakhan, Le Anachuk and Le Khro. The latter group was used in Le Saeng and Le Krap. The ritual has been passed down through the ethnic beliefs, rules and taboos. Socio-economic changes have affected the lifestyle and livelihood of the ethnic group. To a negative extent, the riaul has rarely been performed at the community in recent times.

Text Analyst Ekarin Phungpracha Date of Report Jun 07, 2019
TAG Ritual music, Mon Spirit Dance, Bangkok, central region, Thailand, Translator -


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